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Le Dispatch latest issues

• January 31st, 2023 - The Salto Shake-up
• January 26th, 2023 - Are Award Shows Doomed?
• January 24th, 2023 - Money for your Films
• January 17th, 2023 - Pre-purchases Boost Industry Funding
• January 16th, 2023 - Special Report - Pre-order now
  
• January 12th, 2023 - The Market is Buzzing
• January 10th, 2023 - Post-pandemic Comeback Story
• January 5th, 2023 - How French Cinema survived 2022
• December 17th, 2022 - How is France Taking Over Platforms ?
• November 29th, 2022 - The Belgian Exception
• November 22, 2022 - Please Pass the Salto ?
• October 26, 2022 - Film Investment Funds' Massive Budget
• October 18, 2022 - Your MIpcom 2022 Guide
• October 13, 2022 - Rankings: The Top Unscripted Content Producers
• October 10, 2022 - The Re-release Strategy
• September 26, 2022 - The Industry's Worst Nightmare 
• September 22, 2022 - A Guide to the French Production Market
• September 5, 2022 - Movie Theatres : Hope on the horizon
• September 1, 2022 - Your Practical Guide to this year's Venice Production Bridge
• August 29, 2022 - Bye bye Angoulême, here comes Venice
• July 14, 2022 - 14 Hot French Titles to Keep an Eye One
• July 11, 2022 - Changing the international co-production game
• July 7, 2022 - How do U.S studios shape France's box offices?
• July 4, 2022 - Music in film hits a high note
• June 29, 2022 - Strike, merger, and more
• June 27, 2022 - How social media shapes cinema
• June 20, 2022 -  Ready to Doc ‘n Roll
• June 16, 2022 - Le cartoon boom - Annecy Day 4
• June 15, 2022 - The French method to success - Annecy Day 3
• June 14, 2022 - The Cartoon Comeback: Mifa kicks off today - Annecy Day 2
• June 13, 2022 - Mifa, Minions and more - Annecy Day 1
• June 6, 2022 - Co-Production brings Peace to the World
• May 30, 2022 - What does the future of the global film biz look like?
• May 12, 2022 - A Very French FX
• May 9, 2022 - Have a nice T.R.I.P
• May 5, 2022 - Do film festivals still matter?
• May 2, 2022 - BRUT, billions of views in Cannes
• Apr 28, 2022 - NFTs are headed for the Cannes Croisette
  
• Apr 25, 2022 - Is French cinema late to a more modern way of producing and distributing films?
• Apr 21, 2022 - How embracing inclusion and representation can help save the film industry
• Apr 18, 2022 - Cosmic Thriller: The multi-cultural co-production that journeyed from Kazakhstan to outer space
• Apr 14, 2022 - Do you talk NFTs?
  
• Apr 13, 2022 - Cannes hardly wait: A sneak peek at the 75th Festival de Cannes just before the official line-up’s unveiling

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